Viewable online until 30 October
Presenter: Jes Fan
Leakages, Puddles, Discharge, Infections and Bubbles…
Jes Fan’s trans-disciplinary practice emerges from a sustained inquiry into the concept of otherness. Primarily working in the field of expanded sculpture, Fan navigates the slippery complexities of identity as guided by the tactile and material histories of his chosen media. In Fan’s work, he incorporates materials imbued with erotic and queer signifiers, such as silicone, soap and glass, as well as biological substances such as estrogen, testosterone and melanin.
For Leakages, Puddles, Discharge, Infections and Bubbles… Jes Fan discusses his body of work developed over the past few years and, in particular, his participation in NIRIN, the 22nd Biennale of Sydney (2020).
Fan has exhibited internationally; selected exhibitions include Kiss My Genders at Hayward Gallery (London/UK), Mother is a Woman at Empty Gallery (Hong Kong), An Opera for Animals at Rockbund Museum (Shanghai/CN), In Search of Miss Ruthless, Para Site, (Hong Kong), Paradox: Haptic Body in the Age of AI at Carnegie Mellon University (Pittsburgh/US), and Disposed to Add at Vox Populi Gallery (Philadelphia/US) Fan’s work has been featured and reviewed by Artforum, Hyperallergic, Art21, AsiaArtPacific, BOMB, Frieze, and others. In 2020, Fan will be participating in the Biennale of Sydney and the Liverpool Biennale.
Image: Jes Fan. Photograph: Han Minu.