Saturday 19 October, 2019, 10 – 11:15am
Pricing: Free entry
Location: Hawke Building – Bradley Forum, Level 5. Click Here for a MAP
Presenter: Ema Tavola
Ema Tavola:
Is The Gallery Enough?
New Zealand-based independent artist and curator Ema Tavola unpacked power and privilege in the South Pacific through the lens of the art world.
With the unbalanced power dynamic of the arts ecology ever-visible, and the experiences of art world Othering becoming increasingly clear, Tavola argues that moves to diversify arts programming are too often tokenistic and rarely representative of systemic change. Instead, confronting disturbing truths and creating space for uncomfortable conversations is a necessary part of challenging the value system and institutionalisation of arts and culture in the colonised South Pacific.
By considering the complex anthropology of race, class, intellectualism and privilege that is embedded within gallery walls, Tavola reflected on 15 years of practice-based research to discuss how enabling the genuine presence of Pacific art, artists and audiences in institutions is not a radical act, but rather a conscious decolonisation of the Gallery and its potential.
Perspectives: shaping the world through visual culture.
Ema Tavola
Ema Tavola is an independent artist-curator based in South Auckland, New Zealand. Having established her practice whilst managing Fresh Gallery Ōtara, a local government funded community art gallery, Tavola’s curatorial concerns are grounded in the opportunities of contemporary art to engage grassroots audiences, shift representational politics and archive the Pacific diaspora experience. Tavola has worked in galleries and museums throughout New Zealand and is committed to curating as a mechanism for social inclusion, centralising Pacific ways of seeing, and exhibition making as a mode of decolonisation.
Recent projects include, A Maternal Lens (2018) for the fourth International Biennial of Casablanca (Morocco), Kaitani (2017) for The Physics Room (New Zealand), Dravuni: Sivia yani na Vunilagi – Beyond the Horizon (2016/2018) for the New Zealand Maritime Museum and Oceania Centre for Arts, Culture and Pacific Studies, University of the South Pacific (Fiji).
PIMPI KNOWS – Ema Tavola Blog posts
Video: Artwork by Ema Tavola
YouTube Channel
Perspectives: shaping the world through visual culture.
This event is presented as part of Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art
Photographs and/or video may be taken at this event.
By taking part in this event you grant the event organisers full rights to use the images resulting from the photography/video filming, and any reproductions or adaptations of the images for fundraising, publicity or other purposes to help achieve the group’s aims. This might include (but is not limited to), the right to use them in their printed and online publicity, social media, press releases and funding applications.
If you do not wish to be photographed please inform the photographer or a Guildhouse staff member.
Images (L-R): Ema Tavola. Image courtesy the speaker.
News
Catapult 2023 Recipients
Image: Shirley Jianzhen Wu, Infusion (detail), 2022, Flameworked borosilicate glass, Eucalyptus cneorifolia essential oil, sola wood (Aeschynomene aspera), teak, cotton thread, reed and silicone. Photo by Michael Haines. Guildhouse is thrilled to announce the 15...
The Guildhouse Fellowship: Kyoko Hashimoto
2023 Guildhouse Fellow announced, artist Kyoko Hashimoto explores a more sensitive and sustainable future. Guildhouse, the Art Gallery of South Australia and the James & Diana Ramsay Foundation are delighted to announce South Australian contemporary jeweller Kyoko...
ESSAY / Intersection by Anna Zagala
Image: ART WORKS Artist in Residence Callum Docherty, City of Adelaide ArtPOD, 2023, photograph Lana Adams.ESSAY / Intersection By Anna ZagalaA narrow exhibition and residency art space tucked in a breezeway between The Town Hall and the customer centre in the City of...