What’s On & Opportunities
Neville Cichon, A Line Has Been Drawn, 2016, 28 x 24 cm. Photograph Neville Cichon.
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Guildhouse is all about connecting creatives with opportunities.
We share a variety of opportunities on offer through our partner organisations and the wider industry. In this section you can explore a variety of art prizes, commissions, proposals, call outs, residencies, mentorships, career development, grants and funding opportunities.
Catherine Truman, Shared Reckonings
24 February – 2 May
A mesmerising new collection of glowing, botanically-inspired art is on display at the Museum of Economic Botany and the Deadhouse within Adelaide Botanic Garden.
In Shared Reckonings, renowned South Australian artist, Catherine Truman, explores the impact of light on human vision and the growth of plants.
The exhibition combines thermoplastics and photo-luminescent powders with exquisite, thought-provoking results.
Truman’s work, which is presented as part of the Adelaide Festival, was created following two concurrent residencies at the Botanic Gardens and State Herbarium, and the Flinders Centre for Ophthalmology at Flinders University.
It was influenced by powerful themes: the catastrophic bushfires that swept the country last summer, climate change-induced biodiversity loss, and the global pandemic.
You will not want to miss this enchanting and thought-provoking exhibition.
Botanic Gardens of South Australia
11 March – 1 April
praxis ARTSPACE will unveil the reimagined exhibition ‘Presence’, highlighting the work of artists who were already challenging social structures.
Featuring: Felix Atkinson (VIC), Danny Jarratt (SA), Angelique Joy (SA), Ellen Sleeman-Taylor (ACT) & Henry Wolff (SA)
Jingwei Bu, Life Maps
24 February – 2 April
The Mill are excited to present the opening of Life Maps, an exhibition by multidisciplinary Chinese-Australian artist Jingwei Bu. Life Maps presents a series of abstract drawings made through meditative process.
Clarice Beckett: The present moment
27 February – 16 May
During the 1920s and 1930s Clarice Beckett surrendered to the sensory impressions of her everyday world with such intensity that the force of her painted observations created an entirely new visual language. The extreme economy of her painting tested her Australian audiences, and yet distinguished her as working at the avant-garde of international modernism. Drawn from national public and private collections, highlights include the artist’s famed ethereal images of commonplace motifs such as lone figures, waves, trams and cars.
Driven by spiritual impulses beyond worldly success, she was a visionary mystic that saw nature as all powerful. Through veils of natural light she captured the eternal in the temporal. Accordingly, the 130 paintings in The present moment will be thematically displayed around shifts in time that chart the chronology of one single day. The exhibition will take visitors on a sensory journey from the first breath of sunrise, through to the hush of sunset and finally a return into the enveloping mists of nightfall.
The Art Gallery of South Australia is renowned for collecting, displaying and publishing the work of modern Australian women artists. Clarice Beckett: The present moment showcases Alastair Hunter OAM’s recent support of the acquisition of 21 Clarice Beckett paintings and proudly announces the AGSA’s ongoing commitment to the promotion and celebration of the work of great Australian women artists.
Taiwan Ceramics Biennale 2020
20 November, 2020 – 9 May, 2021
Gus Clutterbuck’s porcelain installation work, “Master of the Rocks 1 & 3 is a finalist in the Taiwan Ceramics Biennale 2020 exhibition and international competition, and will be presented at the New Taipei City Yingge Ceramics Museum, Taiwan.
This major international exhibition will be showcased from Nov 20th 2020 – May 9th 2021, and features the works of 100 selected artists from around the world. Gus is one of only two Australians selected for the final exhibition and his work, “Master of the Rocks 1 & 3” is now part of the Yingge Ceramics Museum collection.
This large scale porcelain installation is a culmination of his research and passion for Chinese painting, with the aim of creating porcelain in an expanded field.
“The spirit of my work is in a romantic tradition inspired by Chinese symbolism and based on a historic early Qing dynasty porcelain, “Dish with a painted Landscape”, held in the collection of the Keramiekmuseum Princesshoff, Netherlands.”
A printed image of this work forms a background with decorated sculptural forms that overlay and reinterpret this work. Master of the Rocks was originally shown as part of his solo exhibition “Falling”, at MEOU Art Museum, Shanghai in November 2018.
The Opening Ceremony for TCB 2020 has been cancelled and travel not possible due to the Pandemic but works from the exhibition and short videos will be shared here: https://public.ceramics.ntpc.gov.tw/en/index.html#firstPage
The Exhibition Brochure can be viewed here: https://public.ceramics.ntpc.gov.tw/pdf/展覽摺頁.pdf
Gus is opening up his home studio to visitors as part of the Australian Ceramics Open Studios Weekend 2020.
Come and visit the Back Deck studio, DIY, makeshift, quirky and chaotic with an interesting collection of works from China, sculptural surprises and current commissions.
4 Livingstone Ave Prospect 21-22 November (10am – 4pm )
Find the SA state map here
28 February – 1 April
From its inception in 2019, the Adelaide//International has been intended as a flexible framework from which to examine ideas prevalent across national and international art, each with an eye on the specifics of temporality – contending with the past, experiencing the present and, in 2021, considering the future.
The 2021 Adelaide//International views the future as an unmade shared space. In its preceding year a global pandemic has made clear the myriad of ways in which we are connected or distanced from others around the world. This experience, shared on an unprecedented scale, will inevitably colour our view of art and how we view it. With the world paused, the question is: when we resume, where to from here? To continue or to reinvent?
Fayen d’Evie (AUS), Taloi Havini (AUS/Autonomous Region of Bouganville), Jesse Jones (IRE) and James Tylor (AUS) provide their suggestions via moving image, performance, sculpture and installation.
Samstag & SASA Gallery
The Image is not Nothing (Concrete Archives)
26 February – 24 April
The Image is not Nothing (Concrete Archives) is a group exhibition that explores the ways in which acts of nuclear trauma, Indigenous genocide and cultural erasure have been memorialised by artists and others. It comes as the result of research by curators Lisa Radford and Yhonnie Scarce whose fieldwork has encompassed sites of significance including Auschwitz, Chernobyl, Fukushima, Hiroshima, Maralinga, New York, Wounded Knee and former Yugoslavia.
Mareike Bernien and Kerstin Schroedinger (DE)
Kumanara Boogar (Yalata, AU)
Phil Collins (DE)
Megan Cope (Quandamooka)
Trent Crawford (Naarm, AU)
Pam Diment (Ceduna, AU)
Niki Hastings-McFall (Aotearoa/ W. Samoa)
Rosemary Laing (AU)
Hayley Millar-Baker (AU)
Sanja Pahoki (Woiwurrung, AU)
Warren Paul (Ebay) (Yalata, AU)
Ashley Perry (Quandamooka)
Nina Sanadze (AU)
Jelena Telecki (AU)
Unbound Collective (Kaurna Yarta, AU)
Judy Watson (Waanyi)
February – November
Dynamic Interconnectedness. It’s complicated.
Actually, it’s complex.
Problems in complex systems are trickier to solve. Even well-thought out solutions can have unexpected and unintended consequences. Like trying to wipe out malaria but ending up with parachuting cats.
Join us to raise a Tamagotchi-inspired octopus, build robots and hack the immune system. IT’S COMPLICATED pulls back the curtain on the seemingly simple and reveals just how complicated, and complex, the world can be.
Rethinking Australian Art
Highlighting the complex changes that occured in Australian art after the second world war.
This series of displays highlights the complex and radical changes that occurred in Australian art after the Second World War, including the revelation of Aboriginal art, the Feminist art movement and the rise of conceptual art and post modernism.
This rehang challenges preconceptions of art in Australia as being isolated or singular. To borrow the words of art historian Ian McLean, the re-presentation of the collection ‘examine the place of Australia in the world and the world in Australia’.
Neville Cichon, Uprising
6 February – 20 March
Signs are emerging. The ocean and all within it break their silence on the unsustainable human impacts they have endured.
26 February – 26 April
In-House is the University of South Australia’s fourth biennial research exhibition to be held at JamFactory and is supported through the well-established partnership between the two important South Australian institutions. This exhibition features responses by artists and designers to the function, history and meaning of the chandelier as a signifier of luxury and wealth, as well as the object’s significance in a contemporary context.
Featuring: Stephen Atkinson, Chris Boha, Louise Bird, Julie Collins, Melanie Cooper, Ron Corso, Matt Huppatz, Mark Kimber, Michael Kutschbach, Joanna Majchrowska, Peter Schumacher, Peter Walker and Hanah Williams.
26 February – 26 April
An evocation of an ordinary supermarket, Pop Mart presents verisimilitude works by artists working in cardboard, ceramics, glass and yarn. While considering the mimetic qualities of craft-based media, the artists in this exhibition play with multiples and scale, irony and nostalgia and the intersection of luxury and essential. These familiar yet subversive objects provide a commentary on our consumer world, still haunted by a global pandemic.
Collect: Surface Stills by Ulrica Trulsson
26 February – 28 March
Much of Trulsson’s work draws from sensory experiences of sand and rocks, and the movements of the tides changing the landscape twice in a lunar day. The rhythms of flow alter patterns, textures and objects left behind as the water recedes, stilled in place for a time until the waves return. While she enjoys using this as a starting point, unexpected outcomes are always welcomed. This exhibition displays Trulsson’s continued focus on wheel thrown pots with shifting shapes and surfaces, her engagement in the materials and processes of the studio.
The New Money
9 February – 19 March
This exhibition of contemporary visual art contemplates alternative economic models as a basis for a post-COVID financial system. New systems of exchange based around sentimental value, artistic exposure, and other esoteric approaches to commerce are explored in a show that is fun and thought-provoking!
Featuring new work by Cynthia Schwertsik & Emma Beech, and Good News Bank (Cassie Thring & Nick Hanisch).
Adelaide Central Gallery
Dark Matter, Bright Light
from 12 December 2020
Dark Matter, Bright Light showcases recent acquisitions of contemporary international and Australian works of art alongside iconic works in the collection. Taking its title from Olafur Eliasson’s Dark matter collective, this display brings together artists who often use elemental material such as air, light, fire and stone, or mirrors, lenses and prisms to explore the mechanics of vision, concepts of infinity and the outer edges of perception.
24 July 2020 – 28 March 2021
For Japan’s warriors, prowess on the battlefield was matched by an acute aesthetic sensibility. Samurai presents the art and ethos of this warrior culture. From the austerity of lacquer and tea bowls to the opulence of golden screens and armour, this exhibition demonstrates how the ethos and tastes of the Samurai (a military elite whose name means ‘one who serves’) permeated every aspect of Japanese art and culture from the thirteenth to the nineteenth centuries.
Christopher Williams, Omaggio a Marino
Wednesday 10 March, 7:30pm
Arte Radiofonica work composed in honour of Marino Zuccheri of the Studio di Fonologia Musicale, Milan, using techniques from the 1950s and beyond: modular synthesis; musique concrète; filtering; signal processing; ‘tape’ looping; step-sequencing; and voice; all in glorious quadraphonic sound!
Zuccheri was the principal sound engineer of the famed Milan studio throughout its existence (1955-83). He worked on significant works of late-20th century music including those by Luciano Berio, Bruno Maderna, Luigi Nono, Karlheinz Stockhausen, Henri Pousseur and John Cage, transforming studio equipment into tools for composing.
“Zuccheri was the true ‘deus ex machina’ of the SdF, the teacher of sounds.” Vidolin
“Marino: authentic musician-technician-theoretician-pragmatist-teacher-interpreter-performer of rare virtuosity.” Nono
Pane e Latte, 587 Regency Road, Broadview SA
19 February – 21 March
Adelaide Fringe is the biggest arts festival in the Southern Hemisphere! For 31 magical summer days and nights, Fringe transforms Adelaide and greater South Australia. Our festival stretches from up in Whyalla all the way down to Mount Gambier, with eclectic and vibrant events that include cabaret, theatre, comedy, circus, music, visual arts, workshops and so much more. Adelaide Fringe was born in 1960 and has grown year on year. In 2020, we sold 853,419 tickets. Our audiences range from 1 to 100, and come from all walks of life. We truly are ‘The People’s Festival’.
Shirley Morgan, Basket Weaving Workshop
Saturday 27 February, 1:30 – 3pm
Join current artist in resident and Kamiloroi elder Shirley Morgan for an afternoon basket weaving workshop. Participants will sit in a weaving circle and be taught the basic skills of weaving a basket, which they will be able to take home.
$8 per participant. Materials provided.
Suitable for ages over 12.
Minors must be accompanied by adult.
The Designer Maker Revolution
Podcast series by Adrian Potter
ON ART podcasts
by Samstag Museum
Samstag will be focusing their efforts on digital channels for the time being and will continue to share their exhibitions with you through their Publications & Podcasts.
Expereince their ON ART podcast series of talks and discussions that follow the lead of contemporary art.
Magnum: Quarantine Conversations
A new video series, Quarantine Conversations, will see two randomly selected Magnum photographers engaging in unedited dialogue about work, current affairs and everything in-between. For the first episode, Rafal Milach and Newsha Tavakolian discuss guilt, dreams, and seeing yourself in the other, as well as Tavakolian’s new project. Magnum will be uploading new work by their photographers on their Instagram feed; a talk with Martin Parr will also be live-streamed on 03 April 2020 at 16:00 GMT.
Learn online with AFTRS
AFTRS offers a range of online courses developed and delivered by top industry practitioners.
They combine the latest in industry-relevant contemporary practice and theory into all our coursework. You will walk away with skills and knowledge that can be immediately applied, and return to update and renew as needed.
The AFTRS course catalogue supports all levels of development, from introductory skills for beginners right through to advanced development for industry practitioners wanting to sharpen their skills or take on new ones.
26 February – 14 March
The Adelaide Festival promises you 17 days and nights of beauty and ideas, of pleasure and joy. And revelation. Come and take the chance to reset as we prepare for our future together.
Watch live-performances at the Tate in London
Congolese choreographer and dancer Faustin Linyekula had already travelled to London when his show at Tate Modern was cancelled due to coronavirus. He made the most of it though, and filmed his performance in the moody, empty mid-century industrial gallery with fellow performers who had also made it to London for the show. Each of the Tate’s four galleries (the Britain and Modern in London, Tate Liverpool and Tate St Ives) also displays works online, and there’s a series of videos, podcasts and online classes to keep you going between visits.
Textile Art with Cheryl Bridgart | Colour In Your Life
Textile art and fine art freestyle machine embroidery with textile artist Cheryl Bridgart Join Cheryl in her studio as she demonstrates her incredible freestyle embroidery technique. Textile art techniques and tutorial for beginners or artists of all ages and skills.
In this fine art TV show episode Cheryl Bridgart is interviewed by Colour In Your Life. In this episode Cheryl Bridgart demonstrates machine embroidery and textile art creating a fantasy abstract portrait. Cheryl’s extraordinary talent and imagination for freehand embroidery is utterly mesmerising. Watch as she shares her tips for creating beautiful textile art on a freestyle sewing machine.
ICP presents: Photography from Isolation to Communication
The International Centre of Photography (ICP) in New York is offering a program of lectures by international experts including Elinor Carucci, Ben Gest and David Campany. Topics covered include how to turn your personal life into an editorial assignment, photobook editing, and digital post-processing. Each speaker will be delivering a series of three lectures, priced at $35 and delivered via Zoom.
From the Adelaide Festival
AF Concert Recordings
Thanks to our friends at ABC Classic, you can listen to some of the exceptional concerts from our 2020 Festival online:
UKARIA Chamber Landscapes
The Heath Quartet perform a beautiful program of Beethoven and Tippett.
Acclaimed violinist, Anthony Marwood was joined by cellist Timo-Veikko Valve, and pianist Stefan Cassomenos for an electrifying concert of Beethoven and Shostakovich in One Among Many.
Chamber Landscape’s curator and harpist, Marshall McGuire and his ensemble Ludovico’s band were joined by soloists soprano Bethany Hill and oboist Ben Opie for a program showcasing works by female composers for The Female Voice.
A Celebration of Life – performed by Netherlands Chamber Choir with The Norwegian Soloists’ Choir, The Tallis Scolars and The Song Company, conducted by Peter Dijkstra
Berlin Philharmonic Digital Concert Hall
The Berlin Phil have made their extraordinary digtial archive of live-recordings and movies free for everyone. Just redeem voucher code BERLINPHIL and receive free access – time to indulge!
We’d like to invite members to share their interest in potential future projects. The Medicinal Botanicals Project brings together artists with botanist and pharmacologists to celebrate the important connection between people, plants, science and culture. Throughout 2019 – 2020 diverse partners will come together to produce and exhibit artwork, present symposia and host discussions in a variety of settings.
David Zwirner: Dialogues
With Covid-19 causing the temporary closure of its physical galleries, David Zwirner has expanded its digital presence. This includes its podcast series Dialogues, for which several makers or thinkers are invited to discuss how art shapes, elevates and shifts our experience. Lauded as one of the best visual art podcasts by the Financial Times, the series enters its third season with an exciting group of artists, writers, curators, and editors. New discussions will be airing every other Wednesday, with upcoming episodes including a conversation between photographer Tyler Mitchell and writer, curator, and cultural critic Antwaun Argent. Current, and past, exhibitions are also accessible via David Zwirner’s online viewing rooms, including Wolfgang Tillman’s Blushes #76.
Multiple times and dates
You’re invited to take part in the Bureau d’Exchange, a one-on-one performance between Cynthia Schwertsik and Emma Beech as part of our new exhibition The Good Money.
To participate, bring along an object to which you have an emotional association. The Bureau d’Exchange staff will assist you in valuing the sentimental worth of your object, and then offer you a range of similarly valued items that you might like to swap for your item.
Adelaide Central Gallery
Clay Play with Annette Rohde
Sunday Afternoons, 2 – 4pm
Mindful clay sessions where you can create something with clay using hand building techniques. In a single session you will make at least 2 pieces which will be left to dry, bisque fired, glazed and fired again. I will then contact you when ready to collect. If you book for four sessions, you will get to choose under glazing, and glaze. This will provide you with time to learn some different techniques or make a set of pieces.
No experience necessary. Includes tools, clay, glazing and firing.
Creative Hub pop-in days
Thursdays, 10am – 2pm
This time is set for you to do what you choose. You can come and just hang out, learn something new or bring something you want to do but don’t have the space to do it at home.
Some materials are available for book making, stitching, sewing, knitting, crocheting, playing with clay, printmaking, if you have a recipe to try, an overload of fruit you want to stew, etc. Or just come and have a cuppa and a chat, chill out, read a book. Create this time for what you want, what you need. This is time for you.
Teas and coffee provided. Some treats may be available depending on numbers and times attending. There may be some costs for materials otherwise no cost. There will be a minimal fee from March.
Australian Tapestry Workshop: WOVEN SONG + ABC Classic
In February 2020 the ATW continued its exciting collaboration with Deborah Cheetham AO and Short Black Opera presenting ‘WOVEN SONG’ to Australian audiences for the very first time as part of the 2020 Asia Triennial of Performing Arts (Asia TOPA).
This recording will be available to stream online until 30 October 2020.
Recorded live in concert at the Australian Tapestry Workshop, South Melbourne, on February 15, 2020, by ABC Classic. Producer Jennifer Mills. Engineer Chris Lawson.
The SALA Podcast aims to engage South Australian visual artists and arts industry professionals in interviews about their arts practice and creative lives, and in discussion about topics relevant to the arts. The SALA Podcast is available wherever you get your podcasts.
Online recording of Megan Cope’s work ‘Untitled (Death Song)’
When Rio Tinto blew up the 46,000-year-old Juukan Gorge rock shelters in the Pilbara in May, the traditional owners of the land, the Puutu Kunti Kurrama people, told the ABC they were in mourning.
They were “deeply troubled and saddened” by the mining megacorp’s act of destroying this place of significance, severing a millennia-long tether to the land and their past.
Megan Cope’s work ‘Untitled (Death Song)’ captures this pain – but also extends beyond it.
“People say ‘Wow, it’s like you predicted Rio Tinto,’” Megan tells CityMag, “but colonialism is predictable. It’s predictable because it’s violent.”
The Quandamooka woman and artist responded to the 2020 Adelaide Biennial of Australian Art Monster Theatres theme with ‘Untitled (Death Song)’, a piece that is an extension of a previous work, ‘Old Kahibah’, but with a new twist.
Workshops & Training
Union St Printmakers:
Ongoing workshops in hand printmaking processes – lino, drypoint, mono printing, etching, screenprinting, Japanese woodblock, etc – latest dates and more here www.unionstprintmakers.com/workshops.
Free online writing workshops
for LGBTQIA+ people aged 18–25
Saturdays, April –May, 10am – 12pm
PhD researcher Chloe Cannell is running a series of five 2hr writing workshops exploring the challenges of representing LGBTQIA+ characters and stories in fiction for young adults. Participants are invited to write and share in their preferred medium, respond to short questionnaires, and discuss story examples.
Introduction to Green Etching (Intaglio) for beginners
Saturday 27 March, 9:30am – 4pm
In this hands-on workshop you will learn how to design, etch and print an intaglio plate using eco-friendly printmaking grounds and etching resists. Working solvent free, you will develop a small body of work and take home two etching plates, a collection of prints and the skills to etch in your own studio.
WEA, Adult Learning, 223, Angas Street, Adelaide
Indigo Blues workshop
21 February – 31 March, 10am – 6pm
Hand dye with natural Indigo; pre made bag, paper, cloth, or bring own material.
You will be shown Origami, Itagami and Tie dye techniques and details of Indigo vat preperation will be discussed.
4 hours duration
$120 payable on booking (bank account details given at time for transfer)
Ph: 08 8293 3539
Small Space Gallery
26 Cromer Parade, Millswood 5034
Studio Space + Equipment
Want to join the Praxis Artspace Studios? Do you know a creative who needs studio space?
At Praxis Artspace we have a 21 square metre enclosed studio space available! This is a rare opportunity to situate your creativity amongst other contemporary artists.
Located within the vibrant Bowden precinct, Praxis Artspace Studios was established in January 2019. Sitting adjacent to Praxis Artspace Gallery, this creative hub is focused on supporting a diverse range of artistic talent through its studios and exhibition program.
The Praxis Artspace Studios encourages an effective teamwork environment, and provides the opportunity for artists to experiment, play and take risks developing new work, within a stimulating environment of practicing artists.
Measuring a total of 21 square metres, with surrounding mdf walls and lockable door, the studio includes:
Communal area, including kitchenette, toilet and shower
Proximity to public transport and shops
A studio at Praxis Artspace represents an opportunity for an artist to base their practice within a vibrant, and supportive artistic community; allowing for meaningful career and skills development, inspiration, and networking.
Warehouse Studio Adelaide
Looking for artists/makers in any medium to join their thriving group studio space.
Located in Edwardstown, they are a collective of artists sharing a 6-space warehouse, with 2 of these spaces becomming vacant from October. Some features include:
- Affordable and secure
- 15 minutes from CBD
- Full shared cold-shop
- Unlimited street parking
- All-hours access
- Three-phase power
- Lots of natural light
- Bi-annual studio sale
For expressions of interest call Rebecca on 0413 565 955, or Nicole on 0402 944 233
Mixed Goods studios is a multidisciplinary shared studio space only 15 minutes from Adelaide’s CBD. We are currently looking for studio tenants and have spaces available ranging from 11m2 to 27m2, there are sizes to suit a variety of creative disciplines and practices.
Mixed Goods was set up as a dynamic craft & design hub offering independent studio spaces to artists, creatives, and design professionals. Our aim is to have a hybridised studio collective with a mixed set of skills made up of individuals from diverse backgrounds and at various stages of their practices.
- Andrew Carvolth – Furniture & object
- Dean Toepfer – Furniture, lighting & object
- Kerryn Levy – Ceramics
- Luca Lettieri – Object & sculpture
- Danielle Barrie – Jewellery
For more information or to apply for a studio please get in contact with Dean Toepfer and Andrew Carvolth at: email@example.com
Gate 8 Workshop have short to mid term project spaces available.
They have different spaces and equipment available depending on your project with prices starting from $85 per week (exGST and outgoings).
Send them an email about you and your project through to Jess Loughlin (firstname.lastname@example.org)
or for more info visit
George Street Studios
36 George St, Thebarton SA
Studio space is currently available and suitable for artists, designer makers and artisans working across furniture, sculpture and mixed medium. We welcome expressions of interest from artists and makers at all career levels. Younger and emerging artists are encouraged and will be offered access to learn from experienced practitioners.
For further details or to organise a visit please contact Tony Rosella
M: 0402 114 702
Shared studio/workshop facility
1/5 Waverley Ave, Edwardstown
“Artisans Vise is a makers dream space”
They have room for more designer/makers in their collegial, extensive factory.
They are ideally located in an established industrial area close to suppliers and manufacturers at 1/5 Waverley Ave Edwardstown
Access to workspace and a professional range of woodworking and metal equipment is available.
Current members are Gray Hawk, Andrew Bartlett, Taku Kamikawa and James Howe.
For further information please contact Gray Hawk
M: 04 1142 1713
The Mill Adelaide
Situated in the heart of the Adelaide CBD, The Mill’s Artist Studios provide space for visual artists and makers of any discipline to operate an affordable studio in a professional and arts-compatible environment. Current and past uses include sculpture, ceramics, woodworking, illustration, fashion, painting, photography and more.
Expect: Your own designated open studio space (approx 15m2), 24hr studio access, wifi and access to shared spaces (workshop, kitchen and meeting space). Leases start from 3 months.
Friday 23 April, 6pm Pricing: Free Location: Allan Scott Auditorium, Hawke Building, 55 North Terrace, Adelaide Presenter: Hayley Millar Baker Hear from some of the leading cultural minds of our time in Perspectives: shaping the world through visual culture, an...
Tuesday 4 May 2021, 10am – 2pm Pricing: Free for Guildhouse financial members Location: Phone or video conference Presenter: Guildhouse Artistic Programs Manager Debbie Pryor and Guildhouse Operations Manager Emma Bedford COVID-19 Update To ensure the safety of our...
Tuesday 6 April 2021, 10am – 2pm Pricing: Free for Guildhouse financial members Location: Phone or video conference Presenter: Guildhouse Artistic Programs Manager Debbie Pryor and Guildhouse Operations Manager Emma Bedford COVID-19 Update To ensure the safety of our...