The Collections Project
The Collections Project is a collaborative project between Guildhouse and South Australia’s state institutions.
This unique project provides artists the opportunity to research an area of one of the institution’s collections and develop new work for exhibition. Championing the art and artists of our time while celebrating our cultural, historic and scientific heritage, The Collections Project has the demonstrated ability to provide new audience experiences while delivering long-term benefits to the artistic and career development of participating artists.
The Botanic Gardens and State Herbariums of South Australia
2020: Laura Wills & Louise Flaherty
2019: Kath Inglis
Kath Inglis examined the marine algae collection in context to the broader holdings of the Botanic Gardens of South Australia. She considered ‘value’ and the impact of plastic waste on marine health.
2018: Heidi Kenyon
Heidi Kenyon’s research focussed on the memories and knowledge held within hundreds of thousands of years of plant medicine, extending her interest in the nature of memory and the memories of nature.
2017: Michelle Kelly
Flinders University Museum of Art
FUMA is a cultural facility responsible for preserving, developing and presenting the University’s contemporary and historical collections of art and connecting them with students and staff. With over 8000 works of art in its care, they are one of the largest University art collections in Australia.
2020: Ray Harris
2019: Jake Holmes
Writing the climate
In response to FUMA’s extensive Australian Political Poster collection (one of the most diverse in the country) Holmes aimed to re-contextualise 1980s environmentalism for our current time. He created new works giving voice to the emotional, nihilistic anxiety felt by today’s youth towards uncertain futures.
2019: Cynthia Schwertsik
Cynthia Schwertsik responded to the Flinders University Art Museum’s collection of Post Object Art through performance and digital work, gaining insight into Australian artistic concepts of the 1960s and 70s.
2018: Gail Hocking
Peripheral Disturbance: Wandering Between Worlds
Through an exploration of a transient state of being, Gail Hocking observed the transient state of matter and investigates the interconnections of temporal disruptions, ephemeral matter, differing environments, and nonhuman forces that contribute to alternate pathways of making and knowing.
2017: Fran Callen
Fran researched the Art Museum’s collections of botanical and zoological prints and drawings, including engravings by Ferdinand Bauer and Charles-Alexandre Lesueur’s early 19th century scientific prints, alongside a collection of work by her uncle, Brian Callen.
Art Gallery of South Australia
2018: Honor Freeman
Through the lens of the domestic – the undervalued, discarded and everyday – Honor Freeman encouraged a poignant reading of our collective understanding of loss and grief. Impelled by a mission to make sense of a loss of her own, the exhibition conducted a dialogue with a number of historical collection pieces, these being recalibrated to speak to the contemporary theory of self-care, expression and vulnerability.
2016: Kate Kurucz
2015: Maarten Daudeij
Spirit Skin expanded Maarten Daudeij’s research into ideas surrounding the sustained experience of a transcendental state. This Guildhouse Collections Project enabled Maarten to explore the artworks, environment and interactions that occur at the Art Gallery of South Australia
2015: Raymond Zada
2015: Jason Sims
2014: Dan Withey
2014: Deidre But-Husaim
Adelaide City Council
2016: Chris De Rosa
2015: Dan Withey
Adelaide Symphony Orchestra
For over 80 years, the ASO has been there to corroborate life and contribute to South Australia’s identity. Today the ASO plays a major role in Adelaide’s cultural and economic vibrancy, and enriches the community through a diverse program of world-class performances.
2020: Michael Kutschbach
The South Australian Museum
2014: Deborah Prior
Exploring the material makeup and sensory possibilities of yarn, fabric and thread, as well as the socio-political and historical implications of the materials and process employed by the artist, Fleece was informed by a period of research undertaken at the South Australian Museum as part of The Collections Project.
2014: Robin Tatlow-Lord
The Collection Projects News
Image: Ray Harris, Untitled (pyre) work-in-progress, HD digital still, 2020. Photograph: courtesy the artist.Monday 10 August Presenters: Nic Brown, Collections Curator, Flinders University Museum of Art and multimedia artist Ray Harris Nic Brown, Collections...
Image: Michael Kutschbach, shocked tornado smirking (detail), 2013. The Guildhouse Collections Project with the Adelaide Symphony Orchestra, presented by the Adelaide Festival Centre and the City of Adelaide. This Collections Project connects visual artists,...
Image: Adelaide Symphony Orchestra Photograph: Claudio Raschella Wednesday 11 March 2020, 1.30 pm Pricing: Free Location: Adelaide Symphony Orchestra, 91 Hindley Street, Adelaide Presenter: Guildhouse and ASO staff Find out more about this opportunity at our call out...
Images (L-R): Ray Harris, Untitled (pyre) work in progress, (detail), 2020, high definition digital video still. Image courtesy the artist; Kath Inglis, of uncertain value, 2019, installation view. Photograph Daniel Marks; Gail Hocking, Peripheral Disturbance: Wandering Between Worlds, 2018, installation view. Photograph Grant Hancock; Honor Freeman, Ghost Objects, 2019, installation view. Photograph Saul Steed courtesy AGSA; Dan Withey, 2015, installation view. Photograph James Field; Michael Kutschbach, Untitled, 2018 Archival print 01b & 01c: Untitled, 2018, Archival print. Image courtesy the artist; Robin Tatlow-Lord at The South Australian Museum, 2014. Photograph Guildhouse.