UniSA Business: Yungondi Gallery
Creativity and collaboration are at the heart of innovation.
UniSA Business has partnered with Guildhouse to present works by contemporary South Australian artists to encourage reflection and inspire new ideas.
UniSA Yungondi Exhibition Series
The exhibition Transformer is part of the Painting Mill project, and has been presented in a number of forms since 2015. It has grown out of my interest in simple machines and how they might be considered within a visual art context.
Jess Taylor explores her fascination with fictional horror primarily through digital methods of making. Using her own image and body exclusively, Taylor’s work presents transgressive and repressed feminine experiences, reflecting womanhood as complex and contradictory.
Gentle A Path
Gentle A Path is an exhibition of photographic works exploring the humble gestures of the Ngangkiparingka Onkaparinga River. The artwork stems from observing and contemplating the quiet fluidity of the river in its passage over the land; the elements of earth and water are seamlessly balancing and equally compromising to allow for the continuous existence of the other.
Planting Plans is a selection of recent map drawings by Laura Wills. The works reference plant properties and botanical drawings, and explore food diversity and food plant relationships.
Parent Guilt Yo
In the days after her second child was born, and feeling pangs of responsibility and failing, contemporary jeweller and artist Alice Potter constructed a survey on the theme of parental guilt. The artworks in Potter’s installation were made as a direct response to quotes taken from the survey analytics asking over 100 mothers and fathers of new and older children to reflect on the theme.
Tom Borgas’ suite of sculptural sketches fuse the language of digital media with the intimacy of analogue materials and processes.
Up Over Down Out In Around
The work presented explores a level of vulnerable experimentation from Hall. In contrast to the emphasis on clean lines and shapes present in his previous works, he has delved deeper into exploring intuitive mark-making, with the indecisive lines mimicking the trajectory of an artist’s practice.
With All The Travail
Often unable to put these emotions into words, Finch uses his works as a tool to translate the complex responses we have to living. The works serve as an interpretation to the gritty complexities of the human condition, increasingly encountered in day-to-day life in an ever-connected world.
Pattern and Repetition
“I have undertaken a strategy of limiting myself to using the raw materials of artists’ canvas and paint, employing unconventional painting processes to these. My honours body of work consists of abstract paintings that emphasis materiality and process. They have been constructed by unravelling the canvas, crocheting these unravelled threads and hand stitching and weaving. These traditional skills were taught to me as a child by my mother and have become part of my visual language.” – Lucia Dohrmann.
Image: James Dodd, Snow Cone (detail), 2018. Photograph courtesy the artistCreativity and collaboration are at the heart of innovation. Since 2018 UniSA Business has partnered with Guildhouse to present works by contemporary South Australian visual artists...
Image: Jess Taylor, The Consummate Ruin, 2018. Photograph Rosina Possingham. Creativity and collaboration are at the heart of innovation. Since 2018 UniSA Business has partnered with Guildhouse to present works by contemporary South Australian visual artists...
Image: Alice Blanch, Lands Edge #1 (detail), 2018 Creativity and collaboration are at the heart of innovation. Since 2018 the UniSA Business School has partnered with Guildhouse to present works by contemporary South Australian visual artists to encourage reflection...
Images (L-R): Tom Borgas, installation image of exhibition Image/Objects. Photograph courtesy UniSA; James Dodd, Snow Cone (detail), 2018. Image courtesy the artist; Alice Potter, installation image of exhibition Parent Guilt Yo, 2019. Photograph Guildhouse; Nathan Finch, installation image of exhibition With All The Travail, 2018. Photograph Guildhouse.