UniSA Business: Yungondi Gallery

Collages: Collected Constructions 

Callum presents a series of collages creating during the covid lockdown, using materials such as discarded books, magazines and journals. 

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Excerpts from ‘The Pale Dossier’

Roy Ananda is a visual artist, writer, and educator practicing on Kaurna Country (Tarndanya/Adelaide Plains). His objects, installations, drawings, collages, and texts variously celebrate popular culture, play, process, and the very act of making.

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Changeling a, c & b, The Pulchritudinous (beautiful) Fly

In Simone Kennedy’s studio-based practice she works with several interconnected themes, the translation of ‘self’, the brain, a symbolic mother figure and the common housefly. 

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Connection

A collection of works that touch on the theme of connection, either with ourselves, our relationships or our communities.

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Plants and Plant Carers

An exhibition of recent works over the past few years including Resurface and a selection of Plant Carer drawings by Louise Flaherty.

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The Persistence of Nature

Contemporary artist michael Carney presents a series of forest scenes with tranquil melancholy and underlying unease, creating a layered emotional experience.

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Structure

Contemporary artist Max Ballard presents a series of paintings exploring structure and composition within snapshots from his everyday life. 

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Selected Works

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Selected Works

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Tremendously very very very beautiful

Brad Darkson’s work Tremendously very very very beautiful encourages a reflection on preconceived notions surrounding Aboriginal art, and in doing so highlights the diversity and complexity of Aboriginal culture and experience. 

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Our Great Barrier Reef

The ‘Great Barrier Reef’ series discusses the state of our oceans due to pollution and climate change. Single use plastics are a convenience item that society has become accustomed to using with only recently founded action to consider the long term environmental impacts.

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Transformer

The exhibition Transformer is part of the Painting Mill project, and has been presented in a number of forms since 2015. It has grown out of my interest in simple machines and how they might be considered within a visual art context.

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Good Mother

Jess Taylor explores her fascination with fictional horror primarily through digital methods of making. Using her own image and body exclusively, Taylor’s work presents transgressive and repressed feminine experiences, reflecting womanhood as complex and contradictory.

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Gentle A Path

Gentle A Path is an exhibition of photographic works exploring the humble gestures of the Ngangkiparingka Onkaparinga River. The artwork stems from observing and contemplating the quiet fluidity of the river in its passage over the land; the elements of earth and water are seamlessly balancing and equally compromising to allow for the continuous existence of the other.

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With All The Travail

Often unable to put these emotions into words, Finch uses his works as a tool to translate the complex responses we have to living. The works serve as an interpretation to the gritty complexities of the human condition, increasingly encountered in day-to-day life in an ever-connected world.

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Pattern and Repetition

“I have undertaken a strategy of limiting myself to using the raw materials of artists’ canvas and paint, employing unconventional painting processes to these. My honours body of work consists of abstract paintings that emphasis materiality and process. They have been constructed by unravelling the canvas, crocheting these unravelled threads and hand stitching and weaving. These traditional skills were taught to me as a child by my mother and have become part of my visual language.” – Lucia Dohrmann.

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